Exploring stream of thought, improvisation and mixed media collaboration.

Producer and lyricist Medicin (Liam Chatwin) has teamed up with artist VES (Vesna Parchet) and filmmaker PowLoba (Paula Palazon) to experiment with the idea of jamming remotely utilizing a series of  different art forms. 

Taking advantage of a circular, spacious recording studio built by a team of artists and musicians in  the foothills of the Sierra Nevada, Medicin started miking up the whole studio space during jam sessions in order to record,  sample and loop moments of accidental magic as a base for inspiration. 

The musician-producer interaction of sampling live during a jam and bouncing back to the musicians to overdub was a breakthrough for Medicin. After the session he would take all the material to arrange it and mix it with added elements and fx. 

Coming from a background of more formulaic dance music, improvisation has been a way of breaking barriers to unlock creativity. Despite this, he still aims to write pieces of music to be enjoyed in some type of recognisable form.
While Medicin‘s E.p’s are inspired hugely by Dub Reggae, with Fx chains of spring reverb, tape delay, phasers and bass, there is a big variety of influences in his music and “fusion” is the key. 

“Recording music is like taking pictures. If you let the subject know you’re doing it and  focus on it you can lose the beauty and magic of the moment. Therefore a lengthier recording  session is important to allow the musicians to forget the microphone is even there”

These techniques and practices evolved from Medicin’s work with kids in a democratic free school in Spain.
After hitting a brick wall and becoming disillusioned with music and the industry, he took  the opportunity to spend time in Spain where, taking only minimal equipment that could run off one solar panel and  one battery, he set up a micro studio in a straw bale shack on the edge of a mountain.
The lack of  equipment (and children’s lack of attention span) led Medicin to embrace imperfection and the beauty of accidents. Some amazing things were and still are being achieved working with the kids of  the area. 

Medicin has worked as an studio engineer in the past, specialising in vocal recording. He has discovered and recorded many  artists in HipHop, grime, Reggae and more. Again, the lack of choice due to the remoteness of the  studio led him to voice his own songs.
The way he wrote the lyrics is similar to the way he composed. He would not write to the music or write in the studio but ,instead, he would choose a spot to sit and, observing the surroundings, he would write whatever came to mind.
Sometimes the observations linked back to memories, sometimes to a more dreamlike stream of  imagery. In so many cases serendipity prevailed and the words fitted the piece, often without the need for any edits.

The “Mixed media Collaboration” process: 

When a piece of music is finished and bounced down is sent to VES (Vesna Parchet), with no further treatment. She will then choose the medium and whatever she sketches, paints or splices will run. 

VES’s ability to paint in a flow state shows in her work. Ranging from huge murals, calligraphy,  collage, Acrylic on canvas to charcoal on paper, her work sucks you into a vortex of human and  animal form, infinity and twisted psychedelia. Her catalogue is vast and her credentials made her a  perfect fit for this experiment.

VES, either taking inspiration from the sound or the lyrics, translates this into a series of paintings,  collage or sketches. These will then be sent to filmmaker PowLoba. 

An important rule in this project is for no-one in the chain to demand or coax the artist before or  after them. Ideas and inspirations can be shared of course, but this is not VES and PowLoba doing a music video for Medicin. This is a shared experience and outlet of creativity. No one calls the shots, it’s the sound and vision that inspire the other.  

Pow (Paula Palazon), now with sound and visuals will edit, animate and sculpt the pieces into a final landscape.
Paula uses digital and organic effects, playing with lighting and post production to create unique and  colourful photography and moving images.
Music videos, promo and short films are her ballpark and the freedom to run with the elements allured her to take part in the  project. 

Paula‘s final edits can emerge as a cosmic meditation or a full-scale bombardment of colour and  geometry and whatever shape the final sculpture took is the way it stays. 

This project aimed to be (and so far has been) catharsis for all involved.
With people being so secluded at present, it is important to keep inspiring and motivating each other whichever way possible. The Medicin project is doing just that, it is being a Medicine. 

Still ongoing, the up-and-coming collabs will use different structures: Music-Art-Film, Art-Music-Film  and so on. 

Medicin, Pow and Ves’ other projects:

Here’s a little show-reel of Paula “Pow” Palazon’s videos.

Check it all out at

These are just a few examples of Vesna’s fantastic work.

See more at

..and last but not least is the man himself, amazingly talented and all-round fantastic human being Liam aka Medicin aka Dafoe. Here is him on the mic of “Los Cosmics

Watch this space



MUTONIA (pt.1)

In the early 1990s, a disused quarry in north Italy was transformed into one of Mutoid Waste Company’s main hubs.
After a number of successful legal battles against eviction, Mutonia remains firmly rooted and continues to reuse, recycle and turn things once cast out and forgotten into mind-blowing art creations.

We asked some questions to a few members of the MWC about their amazing place and community.

In this first part of the interview, Debs Wrekon told us about her story, her art and about Italy’s most underrated art gallery. 

Introduce yourself and your art

“I’m a travelling artist called Debs Wrekon. I divide my time on site in the UK, at an artist community in NE Italy (Mutonia) and the rest of the time on creating artwork on the festival circuit.”

“I’m a self taught metal worker and use scrap metal and other found objects as my main source of material. My artworks range from sculptural jewellery to structures several metres tall.” 

“I work freelance most of the time but do collaborate with groups such as The Unfairground and Arcadia.”

When and how did you get involved with Mutoid Waste?

“I was aware of the MWC through the underground press during the late 80’s and after a chance meeting in my local pub with a few of the group I kind of ran away with their circus.” 

Potsdamer Platz – Berlin (

“After Castlemorton and the summer that followed we decided to drive my old circus truck and meet up with the Mutoid group that was living on Potsdamer Platz in Berlin (which included Joe Rush), that would’ve been autumn 1992. As winter drew on it got (obviously) really cold – I was busking to put food on the table – so when we got invited to Mutonia in Santarcangelo (near Rimini) for Xmas we jumped at the chance and siphoned our way down.”

Joe Rush (

“At that point it was the  Mutoid yard really – the group lived, worked, ate communally; everyone had their own living vehicles but it was definitely all for one and one for all – we even shared the tobacco.” 

Potsdamer Platz – Berlin (

“I came and went over the next 7 years (living full time in Mutonia from Xmas ‘92 until summer ‘94), then in Macchia Nera (Pisa) until spring ‘97, Cascina via Vaiano Valle (Milan)during the summer of ‘97 then Fintech from the winter of ‘97 until some point in 1999). However during all of those years I had a close rapport, coming and going, with Mutonia and made my money from artwork, sculptures and busking.”

Mutonia ( – Photo Credits: Davide Santoli)

Can you remember the first sculpture you made? 

“I was involved in group projects and was responsible for quite a few party flyers and sculpture paint jobs over the years but I started making my own sculptures around ‘97/8” 

“One of the first I made was an alien character (most of my artwork is figurative – I particularly like creating animals) which stood about 1.5 metres tall. He lives in Torino now, bought by the owner/boss of Kappa clothing” 

“I enjoy making small table top pieces the most and the first one I remember selling was a shark made from a motorbike headlight and some meat hooks” 

Is there a piece of art you made that you are particularly proud of, or consider special for any reason? 

“My favourite sculptures are always the one I’m working on – I enjoy the challenge – not all of them end up the way I intend them to be; I suppose if I had to choose favourites it’d probably be my animal trophy heads which involve antlers, horns, skull and metals”

Has it become more difficult to find good usable scrap material for your art in recent years?

“Obtaining materials has become more challenging over the years – changes in the law regarding H&S and waste treatment means I can’t wander in to any old scrapyard, or go knocking door to door for old iron, like we used to. But there are ways round it. I spend time mooching round second hand shops, tat markets and there is ofcourse all the online resources (including eBay!)”

What’s your creative process? Do you see an object and create a sculpture around it? Or do you start with an idea and look for materials to create it?

“These days I work a lot to commission on the smaller sculptures so I know the type of tat I’m looking for – I use a lot of kitchenalia (I like to say it’s a feminist statement!). But sometimes I’ll see a piece and think, for example, “wow that looks like a ducks beak” and so a duck gets “born”. Creating the larger artworks for festivals is a bit more liberating as normally I propose a sculpture (or dry hire those I have) and so that’s down to what materials I find and how they inspire me”

Describe Mutonia and how it has changed over the years

“I got together with Strapper in ‘97 and we moved back to Mutonia in 1999” 

“The yard has changed quite a bit over the years – communal living went out of the window before the turn of the century (!), people have become more settled  and various court cases brought against us by our disgruntled neighbour have changed how the yard looks and functions”


“It’s now recognized as a place of cultural importance – we have a relationship with the Belli Arti and have supporters amongst the artistic establishment. It’s classified as an open air exhibition/living museum – a unique reality in Italy”


How is the relationship with the community of Sant’Arcangelo? Do you think Mutonia has been a positive influence on Sant’Arcangelo and its surroundings?

“I’d like to think we’ve helped to put Santarcangelo on the map and we’re definitely an integral part of its contemporary cultural identity”

“Mutonia is on the outskirts of the town in an old abandoned quarry on the banks of the Marecchia river – we don’t own it and pay a nominal rent fee”

Lyle Doghead – Mutonia

“We all have our own “plots” with quite substantial living spaces and individual artist workshops – even these structures are made from recycled materials; we’ve tried to cultivate as much greenery as possible around these structures – when we arrived it was pretty barren” 

“The group consists of about 20 creatives – not all of them are Mutoids these days. We are sculptors, painters, crafts people, musicians – the vice mayor of our local town lives on site and she’s been instrumental in helping save Mutonia from eviction over the last 10 years. I should add that when she moved on she had no political ambitions at all!”


“On the whole we are welcome and accepted by the locals – after 30 years we’re very much integrated, well known and well liked; several  kids have now been raised and schooled there”

“Over these last 30 years things have changed a lot – when we arrived in Santarcangelo it was an agricultural market town, now it’s become quite “borghese” – lots of boutiques, cafes, bars and niche restaurants. We’ve also changed and diversified – people have developed and honed their artistic styles, we work less and less as a group and network more with other likeminded individuals”

Mutonia is, among many other things, a free-entry open-air art gallery. Do you get many visitors?

“It’s certainly a bit of a tourist attraction – we’re open pretty much every day and there’s usually visitors, weekends and the summer months are particularly busy. It’s not just types who visit but everyone and their granny looking for a cultural hit”

With the world and technology evolving so quickly, what do you think will have the biggest impact on your way of life in the future?

“There was always the underground in Italy and we were always involved with CSOA’s and other political/cultural associations  – that’s definitely been facilitated by the development of the internet and mobile phones” 

“Back in the day we had one land line, now (as pretty much everyone else) we all have smartphones – masses of information (both true and false) and easy access to the whole of the outside world….in your pocket! We are all becoming reliant on that and the “easiness” of it all; but  there is the flip side – it makes us easy to track and monitor and that, I think, will have the biggest impact on our way of life in the future. I know that in this day and age we wouldn’t have got away with some of the things we did back then but I reckon every generation has those that think outside the box and there’s hope!!”

Mutate and Survive


Debs Wrekon
Wrekon – Mutoid Waste Co.
Instagram: @wrekondebs
(Archive photo by DANIELE BARRACO Photography)

To be continued….


Amsterdam’s lost FREE heaven

In 2019, after 21 years of occupation, one of the world’s most incredible free spaces was demolished, and its residents evicted, in order to make space to…….nothing at all! 

Our friend Anita, a member of Underkonstruction sound system and part of the amazing Nostruckture travelling stage, has been visiting the ADM community for several years.

We asked her a few questions about the past, present and future of ADM.

When and how did you get involved with ADM?

“The first time I arrived at ADM squat was in 2012. I was invited by a friend living there to help in their annual anniversary festival. The place blew my mind straight away. I helped before and during the festival cooking meals for all the people involved and later at night at the bar. After that visit, I came back again to help and enjoy other events and festivals in the following years. In 2018 I‘ve stayed at ADM for a few months as a guest and really got to know the ADM community”

What was ADM’s site in Amsterdam’s port like?  

“ADM was located in the port of Amsterdam. It used to be a shipyard company before being squatted a couple of times. The last time was in 1997 and it lasted until January 2019 when the ADM community was evicted. The big open space had a pier and two big buildings. One of them was used as living spaces and small workshops. The other one, “The Loods”, was a big open space where tools, materials and imagination were put together to create, fix and enjoy. The whole ADM space was covered by nature and some protected living species had their homes there”

Describe the ADM community.

“Around 100 people from different ages, nationalities and backgrounds formed this amazing community. On top of that, many people could stay as guests to get involved in ADM. On a few occasions, people who came from all over the world to take part and help at the events have never left” 

What kind of initiatives and events took place at ADM

“Many events and festivals have taken place at ADM, although Robodock was the very first one that attracted lots of artists and performers because of the innovation and connection with the underground subculture scene. The first edition took place in 1998. Every year the festival had a different theme, with industrial installations, robots, fire shows, music, theatre (…and more) taking place”

“Once a year ADM celebrated its anniversary with a big festival as mentioned above. Another big festival hosted at ADM was the circus and experimental music festival “Jetlag”

“Several other events, concerts, workshops, gardening, radio, etc. happened there. On Sundays a vegan dinner on donation would be served with a Jam session, many times started by ADMers musicians and accompanied by many friends of the place”

Tell us some interesting anecdotes

“I was told many anecdotes about the place and the people, although the one that kept closer to my heart is the story of “The Papillon”. Squatters arrived at ADM in this boat called Papillon at first and it was mooring at the pier for a few years. One day its pump broke down and unfortunately, the Papillon sank. Nevertheless, with the help of some friends’ running the art project “Fer a Coudre”, it was brought back to life, taking it from underwater and placing it upside down in front of the Loods. Afterwards, It became one of the art icons of the place and was used as an open space for people’s ideas, creations and performances”

Check the slideshow below to see the transformation of the “Papillon” by Fer a Coudre

What happened after the eviction?

“ADM was recognized by many Amsterdamers as an alternative, cultural and art space. Many people from the city were attending its festivals and events. I would say that ADM has been an important place for the Amsterdam underground scene… and sadly is gone”

“However, Amsterdam’s municipality offered a space in the north of the city before the eviction. The space is not able to hold the same amount of people or to be used with the same purpose as ADM. Still, the ADMers had managed in almost two years to keep on the ADM spirit in this new space. The municipality agreement will end this year in November, meaning that again eviction is at threat”

“There is a petition to sign up to help the ADMers to remain in the north of Amsterdam and continue existing. Please sign it to keep underground subculture alive”


More useful links:

“The music everywhere and the concert nowhere”

June 21 is a global celebration of music, performed by anyone and enjoyed by everyone. Here’s a brief history of World Music Day.

Vive la France!!

Paris, November 1981, the newly elected socialist president of France, Pierre Mauroy, hires a composer, journalist, and festival curator called Maurice Fleuret as director of music and dance of the “Ministry of Culture”, headed by Jack Lang.
Fleuret finds that, in France, one person out of two played a musical instrument and begins to dream of an event where “the music is everywhere and the concert nowhere”, a day where, all across France, music would be performed on street corners, squares, bars, clubs and anyone could enjoy it for free. 

Music Day 2015 – Springfield Park – London

On the 21st of June 1982 the first “Fête de la Musique” takes place in Paris. The rules are simple: it has to happen on the summer solstice, and access to all performances and venues must be FREE of charge, no tickets can be sold.
It was a global success and 38 years later, the “Fête de la Musique”  is celebrated in over 125 countries worldwide. Et Voila!!

What happened in the UK??

Back in London, in 1982, Margareth Thatcher didn’t get that memo. Perhaps her director of “music and dance” had a day off? Or perhaps, the people who enjoyed DIY music events had already plenty of choice in the UK (we hear that Stonehenge free festival on summer solstice was pretty good in the 80s!!).

Music Day 2015 – Springfield Park – London

Nothing happened for a decade until Mick Jagger teamed up with the, at the time, Minister of State for the Arts, Tim Renton MP.
In February 1992, they announced the first “British National Music Day”, to be held that year on June…..28 (??). Coincidentally that was the same date as Glastonbury festival so the decision to link the two events was made. 
The following year, the B.N.M.D. became a two-day celebration, taking place on June….26 and 27. Again, coincidentally, Glastonbury weekend.
Coca-Cola sponsored a live broadcast where independent radio stations were linked to many venues across the country. The event won gold at the Radio Academy Awards for Outstanding Special Event.

Music Day 2015 – Springfield Park – London

British National Music Day took place again in 1994, 1995 and, finally,1996 when, on June…30th it was renamed “National Music Festival”. The event lost its momentum and the 1996 edition was branded a failure.
And that was it. 

2012, the year Music Day came back to the UK.

London, June….21st (Yaaay!) 2012. An impromptu street party in Shoreditch was held by a bunch of musicians, event organizers, DJs and VJs from the Free-Party scene. It was a success and was to be repeated in the following years. 

The absolutely incredible “Big Lad” (formerly “Shitwife”) – Music Day 2015 – Springfield Park – London

On Sunday 21st June 2015  a massive, independent, DIY free event took place in Springfield Park, London. Free-party crews and sound-systems took care of the entire event planning and production, the likes of Skinnyman, Inja, Step 13, Big Lad and many more talents performed to a beautiful and diverse 1500+ strong crowd, under the sunshine. It was an EPIC day! A beautiful example of what can be achieved when money is put aside and passion at the forefront! 

“Skinnyman” on stage 2 – Music Day 2015 – Springfield Park – London

In 2017 “Make Music Day” was born, a UK-wide coordinated event with support and funding from national organizations. Hundreds of free concerts kept happening every year but deep down, everyone was waiting for a summer solstice falling on a weekend. It’s taken 5 long years and, guess what, 21 June 2020 is on a Sunday (Yesss!!!). 

My Bad Sister – Music Day 2015 – Springfield Park – London

Unfortunately, this is 2020 (boooo!!) so, for obvious reasons, the big open air free festival had to be cancelled. The expression “what a shame” has been invented specifically for this moment. However, the show must go on, so this year we’ll witness the  very first ONLINE Music Day!! There will be thousands of live streams to check out (here).
However, there’s one streaming event that’s very special for us at Proton Art, firstly because it’s organized by the same people that brought back Music Day to the UK in 2012, and secondly because it would have been another epic day in a London park with us involved, if 2020 didn’t get in the way!

Mc Ishu killing it with “Step 13” – Music Day 2015 – Springfield Park – London


Renegade Picnic is an independent, DIY culture infused, crowd-funded, volunteer-run free music festival. On 21 June Renegade Picnic will be live streaming for Make Music Day. 

Renegade Picnic - Proton Art - Underground art and events

6pm start!!


LINEUP so far:

*** The Great Malarkey

*** Lilith Ai

*** WondR WomN

*** Holly Flo Lightly

*** Dinosaur Skull (aka 2 members of Werecats)

*** The Ethical Debating Society

*** Samba Sisters Collective

*** Daisy Roots Dancers

*** Chuck SJ

DJ sets from:

*** Bustawidemove


For more info check:

Happy Music Day everyone!!


Black Star Caravan

This project has been a massive inspiration to Proton Art.
The people involved are very good friends to us and surely we’ll be collaborating in the future. Black Star Caravan is the perfect example of what we stand for and a project we will raise funds for. Check it out!!!

“We are a collective of travellers from around the world who aim to unite and empower the youth through music, art, play and performance”.

Black Star Caravan

“In early 2019 we set off in convoy from Europe, through North and West Africa until we arrived in Guinea Bissau for the annual carnival of cultures. The experience was tremendous, please watch our documentary to see some of it. The great success and positive will that we felt as a result of our efforts lead us to seek to grow the work we do.”

Black Star Caravan

“We are planning projects and convoys across West Africa and are working with African partners.”

More on this coming soon!!

Welcome to Proton Art

We live in strange times. There is no denying that the year 2020 will go down in history for all the wrong reasons but, as ever, the best thing we can do is channel the negative and try turning it into positive, right?
Well, the boredom of the lockdown has given us time to finally get this project started.

If you are reading this, chances are that we share the same ideology and it’s fair to say that we are not living in positive times. The future of our movements is not as bright as we dreamed one or two decades ago. There isn’t a simple solution but surely being apart with various degrees of depression is not going to make it better. We need positivity, and we need to stick together.

Special thanks to Jak Mcs for designing this…looking forward to more collaborations soon!!

Proton Art is a not-for-profit company based in Bristol. We raise funds for charitable causes through underground events and art. Here’s what we do:

  1. EVENTS: Planning, promotion and full production of quality underground live gigs and raves. We are a network of long-serving veterans of the UK underground scene, we have the expertise, equipment, and a pretty good idea on how to put on a party. The profit from each event will go to charitable causes and/or help funding community projects, and to finance the cost of the next event. Due to the ongoing COVID 19 pandemic, it’s hard to predict when and how we’ll be able to start, however, rest assured that we are staring at the red light with the right foot on the pedal.
  2. ART E-SHOP: We are selling clothing and prints with artworks from some incredibly talented artists. The profit from each sale it’s split: 40% to the artist, 40% to Base and Roses, 20% to Proton Art (to be re-invested in more…things).
  3. PROTONART.ORG: this is the hub of the operation. Find out about events (not only ours), check our shop and find a few good blog pieces about inspiring projects, people, art, music and ….more of that. We have a few good pieces coming up on our blog…stay tuned!

The Proton Art aim is to create a winning situation for everyone involved: good events and good art for the community while raising money for good cause, a bit of cash for whoever will put in some work and content for you to get inspired and charged up.  You don’t need a degree in psychology to understand that whatever you’re into, be it making music, painting, juggling, putting on events, political action, throat singing or Zumba dancing, practicing and being proud of what you do makes everything better.

Be positive, happy, active and creative.

We can’t stop. We won’t stop.

Proton Art

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